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  1. More items related to this product
  2. Understanding DSLR Lenses: An Illustrated Guidebook by Al Judge
  3. The Ultimate Guide to Learning how to use Your first DSLR
  4. The Ultimate Guide to Learning how to use Your first DSLR

It works the same way on both the lens and camera sensor, and this is an excellent feature to have if you are shooting long exposures or with a narrow depth of field. Shooting manual when you are outside can be quite difficult, so we recommend using auto mode if you are just starting out. However, if you are wanting to experiment with manual mode, we recommend using a prime lens so you have less to worry about compared to using a zoom lens. There is no perfect manual setting because there are too many factors to consider lighting, time of day, the subject, the art direction, etc.

Always take ISO, shutter speed, and aperture into consideration first and slowly fine-tune them while you are outside. Using Aperture Priority means you are selecting aperture as your main priority, then the camera automatically adjusts the shutter speed for you. This is perfect if you know the weather is unpredictable or if you are shooting a fast-paced event. Manual mode on a digital camera means you are in control of all the settings—this includes shutter speed, ISO, aperture, white balance, and even flash power.

Manual mode is all on you, and it takes a great deal of practice and experience to shoot manually. You will have to study and learn how each setting works independently and together. Auto mode is, of course, automatic. The camera will automatically adjust the optimal exposure for your image. You will have much more control in manual mode, but it also requires knowledge and practice.

Auto mode is great if you are on the go and you shoot street photography. If capturing the moment quickly is your line of work, then auto mode may be a better one to use since there is very little time to manually adjust the settings in an organic shot. Luckily, there are multiple ways to control the sharpness of your images while shooting. You want to set your aperture at the most optimal setting, which is usually stops down from the widest aperture on your lens. Another trick is to use a single point focus. This is really helpful to use if you want one object to be tack sharp and not the entire rest of the image.

For sharp images, you also want stray away from using high ISO, as this will make your images look grainy. To correct underexposed subjects during a shoot, thoroughly check the ISO, shutter speed, and aperture. Make sure the settings are working together properly to balance out the exposure correctly.

Shutter speed plays an important role with motion shots. A different technique commonly used in motion photography is called panning. This is when you can see the motion of the subject moving, creating a very dynamic looking shot. Panning is not an easy technique to master, but you are basically panning the camera as the subject is moving. A slower shutter speed is necessary for this technique.

The beautiful thing about panning shots is that your subject will be in focus, but the background will be blurry. As you press the shutter release button, do so carefully while you slowly move the camera and follow the subject.

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This technique requires some practice, but it is very rewarding once you understand the steps. The basic Rules of Composition are the rule of thirds, S curve composition, and symmetry. It brings out the most of your subject and transforms a dull object into a stunning one. Using the Rule of Thirds is one of the oldest and most popular methods of photography.

This rule is used to understand how composition works and is a great method to use if you are completely new to photography. It uses an imaginary 3 x 3 grid, where elements of the photo are placed along the 3 x 3 grid. Sometimes framing the subject in the very center of the photo is the most visually striking. The rule of thirds is one of many methods you can use to compose your shots.

Time to get creative! Using the Leading Lines technique is a way to compose your photos and create a powerful framing technique in your images. We are hardwired to subconsciously follow lines and shapes. The next time you are out shooting, notice how you can utilize the landscapes, furniture, or architecture to create lines in your shots. There are many Studio Lighting Products in the market, and yes, it may intimidate you at first if you are new to studio lighting. There are usually one to three lighting sources in a photo shoot. Each arrangement has its own uses and styles. Lighting can range from strobes, speedlights, continuous lights and so on.

For simple in-home lighting set up, using one light and a reflector is more than enough to start practicing. Adding in light modifiers like a reflector or an umbrella are very useful must-haves in the studio, and they are easy to fold and store away. Working with low light can be a challenge, but with proper knowledge of your camera settings and using the right equipment, it can be a much easier experience. Here are some basic tips to follow when in low light situations:. Producing low-key images adds drama and edginess to your subject. This is because it involves low-key lighting, darker background, and attire.

Using low-key lighting focuses attention onto your subject by surrounding them in shadows. To achieve this, you want to make sure that your backdrop is at least 3 stops darker than the light on your subject. With low-key lighting, you also need to ensure that none of the light from your subject is hitting your backdrop. Incorporating grids and flags are very helpful for this.

As a photographer, it is important to learn to direct your subject so your shots come out natural and well positioned. All of the technical sides to photography can be perfect—lighting, the setting is spot on, and everything is seemingly ready to go. This is where learning how poses work is very crucial for working photographers.

Here are some tips for photography poses for women:. For group poses, try to arrange everyone in a way where it ends up looking like a pyramid. This creates balance and symmetry. This is called heat distortion, and photographers are not fond of it! This often happens when photographers use a telephoto lens in the middle of the day.

To counter this phenomenon, you should avoid shooting in direct sunlight. You should refrain from using telephoto lenses as this will emphasize the heat distortion. Multispectral photography is used to capture a narrow range of wavelengths across the electromagnetic spectrum. Because we cannot see these wavelengths, this type of photography can be very helpful for scientists and engineers. Multispectral photography can be used in space-based imaging, military target tracking, landmine detection, ballistic missile detection, document and painting analysis, farming, healthcare, forensics, and so much more.

We are fully immersed in the digital world and as a modern photographer, you are most likely looking for the best ways to store your photos. Cloud storage allows you to store your files on a remote server and access them from almost any device iPhones, laptops, tablets, and desktops. Here is a list of some of the most famous photographers:. You may have to consider your budget, desired focal length, lens speed, compatibility with your camera, etc. Some factors to consider are:.

When it comes to Types of Lenses , there are prime fixed focal length , zoom, telephoto, wide-angle, and macro lens. A telephoto is popular among photographers who want their subjects to appear closer and need that extra zoom. Usually, a telephoto is in the range of mm. Using a telephoto lens is great if you are shooting animals, portraits, wildlife, and weddings. If you like to shoot from afar, a telephoto is an essential lens to have.

Wide lenses are typically between 14mm and 35mm. These lenses are mainly used by landscape and interior photographers. If you want to make a space or landscape appear expansive and vast, using a wide lens is your go-to option.


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Macro lenses are necessary for those who want a detailed, sharp, and close-up shot of small subjects. These lenses allow you to get really close-up with your subject, and maintain sharp focus. There is strong emphasis on detail, texture, and vividness when shooting with a macro. Typically, the range is between mm to mm. You can achieve beautiful bokeh with these lenses, and they are easy to use. No longer satisfied with using your smartphone to take photos? Sensor: Micro Four Thirds Megapixels: Nikon D Reflectors are one of the most essential and easy pieces of equipment to carry during photo shoots.

They are a must-have for any photographer because of their ease of use. Reflectors can add drama and enhance lighting when the current lighting is flat. There are four different types of reflectors—silver, white, gold, and black. This is perfect for portrait photography. It provides just enough light to enhance the photo. Lastly, black reflectors will absorb rather than reflect light.

A black reflector is used when there is too much light in one area, and you want to block the unwanted light.

Steps for Learning How to Use Your DSLR include:

Selecting the appropriate Backdrops is one of the simplest ways to add style and personality to your photography style. There are many types of backdrops in the market but are usually the following three types—muslin, seamless, and painted canvas. Secondly, make sure your subject is not too close to the backdrop. This will eliminate any harsh texturing, shadows or reflections. We recommend materials that are not prone to wrinkles, like polyester, vinyl, cotton, wrinkle-free muslin backdrops, or even thicker canvas material. One quick tip when shooting with backdrops is to have your subject stand at least three feet apart from the backdrop.

This will reduce unwanted wrinkles appearing in your shots. Acquiring these lenses will help you with most types of shoots. A 50mm prime is popular among photographers because they are so lightweight and easy to use. As for a general zoom lens, choose one in the range between mm. This is a versatile lens to keep in your bag. Lastly, a telephoto lens in the range of mm is a great investment because you can shoot portraits, animals, sports, and all sorts of events with it.

Not necessarily. Zoom lenses can be more expensive, but they allow you to carry less lenses in general. Zoom lenses are extremely versatile. You can shoot portraits, landscapes, and many different settings with a zoom lens. They allow more flexibility when you are out and about.

On the other hand, Prime Lenses are also favorable to many photographers because the image quality is higher. Although you are stuck with one focal length, the sharpness and clarity of the photos is one of the main reasons why many photographers love it so much. Prime lenses are relatively less expensive, lighter, and faster to shoot with. Additionally, prime lenses can spark creativity because you are stuck with only one focal length.

This probably means you are walking and exploring more than you would with a zoom lens. Some of our favorite prime lenses for portraits are 50mm and 85mm. We also recommend studying up on lenses and investing more in good lenses than the body itself. Here is a brief list of the most essential gear you need to start producing high quality photos:.

Most importantly, go out and shoot! The only way to get better is to shoot everyday and keep honing your skills. Want to start editing your photos but not sure which software to use? Here are some software suggestions most demanded by beginner photographers! Both are excellent editing softwares, but they do have their differences.

If you are purely using it for photo editing, then we recommend using Lightroom as an everyday option. However, if you are making huge adjustments, alterations, and manipulations, Photoshop would be the better option. In terms of organization, Lightroom is a better suited software for filing large quantities of photos. It also has an automatic raw files processor in the system. You can use SmugMug to easily import all your photos into Lightroom and start editing immediately. Another great thing about Lightroom is that you can name your folders, use keywords and color tag your photos for easier access.

If you are saving files for print or even for web , always make sure that the resolution is at PPI. Anything less than PPI will not be adequate for high quality printing. PNG files are lossless, and are more geared for logos and complex images. The only drawback for SVG files is that they are much bigger, and will require more memory storage.

Understanding DSLR Lenses: An Illustrated Guidebook by Al Judge

Yes, anytime you are cropping a photo from its original size, the resolution will decrease. This is not a huge issue if you are posting or printing the photo on a smaller scale. Make sure the resolution is high enough for large prints. There are many ways to save your logo files, but we find that PNG is much better at retaining sharpness and detail compared to other files like JPEG. Photography is an art that can be learned.

Want to pursue your dreams of being a successful photographer? Thinking of pursuing higher education to improve your artistic abilities? There are many excellent programs out there that will train and delve you into the world of photography. We understand it takes hard work, experience, and passion to be a successful artist.

Here is a list of colleges that may help you narrow down your choices. Save my name, email, and website in this browser for the next time I comment. This site uses Akismet to reduce spam.

The Ultimate Guide to Learning how to use Your first DSLR

Learn how your comment data is processed. Photography Course. Camera Settings. What are the basics of photography and taking good photographs? The three basic camera settings are: Shutter Speed Aperture ISO Lighting is everything in photography, and learning these three components will give you a strong foundation to how exposure works. What are megapixels? What is ISO? How does the exposure triangle work? What is an aperture and how is it measured? What is the depth of field and why is it important?

The Ultimate Guide to Learning how to use Your first DSLR

How does the aperture affect the depth of field? What is focal length? What is shutter speed and how does it work? What are the basic rules for macro photography? What is the difference between raw and jpeg files? How and why to use the back button focus? What are the best settings to use when photographing children? How and when to use pop flash? What is the concept of the circle of confusion? What is rear curtain sync and when is it used?

What is CCD? How to determine and adjust white balance? What is auto exposure bracketing? What and how does digital zoom work? What is live view in photography and what is it used for? How and when do you use a ND grad filter? Written in a clear and engaging tone, this indispensable resource includes plenty of real-world examples to bring business and legal concepts to life.

Photo educator Michelle Bogre interviewed 47 colleagues with an international scope to compile this survey of photographic education in the first decade of the 21st Century. The themes of these conversations explore why students should study photography, the value of a formal photography degree, whether video and multimedia should be an essential part of a photographic curricula, the challenges of teaching photography today, as well as changes in photographic education overall. A second book by Bogre, Photography as Activism: Images for Social Change , is an informative primer for how to use your camera to draw attention to a cause; be it political, social, or environmental.

As the three authors of Teaching Photography note, while the photographic community is rife with talented and creative practitioners and artists, making great photographs does not always translate into an ability to teach effectively. The second edition of this photographic education resource approaches this topic by stressing the how and why of the education, rather than simply the techniques to be taught.


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Through chapters such as Learning, Knowing, Owning; Importance of Questions; Collaborative Learning; Planning and Changing; and so on, the goal of this book is to encourage the collaboration of teaching and learning that occurs between teacher and student. Using the latest research on the cognitive science of effective learning, Horner presents strategies to inspire students to collaborate, explore, and internalize photographic principles and concepts.

From step-by-step instructions that explain how and why to flip a photography classroom, to hands-on exercises and activities to help students take charge of their learning experience, the insightful practices in this book reimagine traditional teaching methods in favor of a dynamic, teacher-guided, learner-centered approach. Lighting master Joe McNally has a distinctive way with words, which is at the fore in this insightful book.

Using his own photos to illustrate a wide range of techniques, McNally reveals invaluable tricks and tips, while sharing the stories behind each shot and the challenges inherent in different types of assignments. A former assistant for Arnold Newman, Gregory Heisler is one of professional photography's most respected portraitists. In this first-ever showcase of his work, Heisler shares 50 iconic portraits of celebrities, athletes, and world leaders, along with fascinating, thoughtful, often humorous behind-the-scenes stories about how the images were made.

This practical manual combines the building blocks of digital photography technique and workflow with insights from contemporary image makers and photo industry pros, to help you think through your process and improve your technical know-how. Batt, Dobro and Steen explore photographic practice together with nine guest photographers, covering everything from Photo tips to what professionals think about as they look through the viewfinder, and how they work with clients.

Author, photographer and educator Angela Faris Belt combines an instructional guidebook with inspirational images meant to push photographers to improve both their technique and their photographic vision. Featuring the work of more than 40 photographers, the book is extensively illustrated with more than color photographs, ranging from commercial photography to fine-art landscapes. She wrote this book to show you how, aiming to help you develop inspiration using exercises based on your everyday surroundings.

After introducing readers to her creative process, Shaden shares tips on how to plan, compose, and shoot the colorful, atmospheric, fairy-tale-like fine art photographs that are her hallmark, so you can adapt her methods to your own photographic style. Revised many times since initial publication in the early s, these photography classics are more relevant than ever for photographers eager to embrace analog processes over the ubiquitous digital realm.

Michelle Bates has been a fan of plastic cameras since first discovering the Holga in These low-tech tools are not only fun, they offer a way of seeing the world from an entirely different perspective. In , Bates authored the book Plastic Cameras , a comprehensive guide to this offbeat subject, now in its second edition. Starting with a history of these cameras and an explanation of where they come from, Bates goes on to offer extensive tips about subjects to photograph and how to deal with a variety of shooting situations. From prepping the camera to advanced camera modifications to working with flash, long exposures, infrared film, filters, and more, she covers the field.

For a visual treat, images by 49 photographers, including 30 artist portfolios, illustrate the depth and range of what you can create for yourself. This comprehensive technical and aesthetic resource for alternative photography covers historic processes and contemporary innovations, adaptations, techniques, and art. Each chapter introduces the history of a technique, an overview of the process to be covered, a review of the chemistry involved, followed by practical and easy-to-follow image making guidance. A revised opening and concluding essay discuss the rapidly changing nature of the medium, how photography is being redefined due to digital technology, and how alternative processes are becoming a new wave for those dedicated to handmade art.

Written by alternative processes expert Christina Z. Anderson, this two-part book on gum bichromate provides a step-by-step description of the gum printing process, while also showcasing full-color images by more than 80 contemporary artists. From setting up the "dimroom" no darkroom required! The featured images represent a variety of genres, including still lives, portraits, nudes, landscapes, cityscapes and more, ranging from monochrome to colorful, and from subtle to bold, to masterfully illustrate the myriad ways in which gum is conceptualized and practiced today.

In , Tom Persinger founded F, an international group of image makers seeking to push the boundaries of photographic practice through the intentional use and combination of photographic process and technique. From to , the organization held regular symposia, as well as lectures, workshops and exhibitions, as an inquiry into contemporary photographic practice. Culling from these events, Persinger selected 20 artist lectures to create this book. These featured essays reveal the thoughts and methods of leading contemporary photographers, each of whom employs alternative, historical, or handmade processes and techniques.

They also share a comprehensive view of the medium, believing that the choice of photographic process is just as important as the selection of subjects. While other books concentrate solely on process, or theory, or artistic intent, this title focuses on works in which these decisions are considered inseparable. Often referred to as the "bible" of the industry, this seventh edition features updates on social media in photojournalism, shooting video on smart phones, and the use of drones to cover the news.

Updated chapters on audio and video are joined by a revised and expanded business chapter, which outlines how to make a living in photojournalism. New interviews and case studies, including many from international locales, bring readers on assignment with industry greats, whose experiences provide guidance for how to take your work from a hobby to a profession. Leading night photography expert Lance Keimig provides photographers with a thorough introduction to the nocturnal realm in this comprehensive reference on image making after dark.

For beginning photographers seeking to explore photography after dark, this book by Gabriel Biderman and Tim Cooper offers an accessible introduction to the subject. In this hardcover tome, award winning photographer Dan Winters shares his journey to becoming a photographer, recounting key moments that shaped his career.

Along the way, he touches on everything from his photographic influences to creating a visual language to his own working methods to the need for key characteristics such as curiosity, awareness, and perseverance. At nearly pages, and filled with memorable images by Winters, and many other photographers, Road to Seeing is both a personal memoir and an ode to artistic inspiration rolled into one.

In this page-turning memoir, renowned conflict photographer Lynsey Addario describes her journey from an eccentric youth in suburban Connecticut to navigating the front lines of virtually every major theater of war in the 21 st century. Her candid and personal narrative is illustrated by remarkable images that document the complex lives of her subjects, often in their most extreme moments. Heavy enough to use as a doorstop, this definitive reference to all things photographic charts the trajectory of photographic processes and trends, plus contemporary applications, and new and evolving digital technologies.

Produced by a team of world renowned practicing experts, headed by an eminent Rochester Institute of Photography professor, this encyclopedia features detailed descriptions about core concepts and facts relative to everything photographic, to provide the most accurate technical synopsis of photography—both historical and current—ever compiled. Let us know in the box below. It is a page turner, intermixing the love of photography to the terrors of war, terrorism, pride, love.

Hi Alexandre, thanks for writing in. The images and essays she shares are absolutely riveting. Happy reading, and thanks for spending time with the Explora blog! Thank you for posting this link Donna C, however Christina Z. Worth every penny. Thanks for your comments and thanks for reading!