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- I, Mary MacLane: A Diary of Human Days from Project Gutenberg
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Life and works
The Magic Mountain. The Magnificent Century The Plantagenets 2. The Maltese Falcon. The March. Mencken called her "the Butte Bashkirtseff. MacLane was born in Winnipeg, Manitoba , Canada in ,  but her family moved to the Red River area of Minnesota, settling in Fergus Falls , which her father helped develop.
After his death in , her mother remarried a family friend and lawyer, H. Gysbert Klenze.
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Soon after, the family moved to Montana , first settling in Great Falls and finally in Butte , where Klenze drained the family funds pursuing mining and other ventures. MacLane spent the remainder of her life in the United States. She began writing for her school paper in From the beginning, MacLane's writing was characterized by a direct, fiery, highly individualistic style. She was, however, also strongly influenced by such American regional realists as John Townsend Trowbridge with whom she exchanged a few letters , Maria Louise Pool , and Hamlin Garland.
I, Mary MacLane: A Diary of Human Days from Project Gutenberg
It sold , copies in the first month  and was influential on young women, but was pilloried by conservative critics and readers, and lightly ridiculed by H. Some critics [ citation needed ] have suggested that even by today's standards, MacLane's writing is raw, honest, unflinching, self-aware, sensual, and extreme. She wrote openly about egoism and her own self-love, about sexual attraction and love for other women , and even about her desire to marry the Devil. More experimental in style than her debut book, it was not nearly so sensational, though MacLane was said to have made a fairly large amount of money.
Stokes in and sold moderately well but may have been overshadowed by America's recent entry into World War I. Produced by film pioneer George Kirke Spoor and based on MacLane's article of the same title for a Butte newspaper, it has been speculated to have been an extremely early, if not the earliest, sustained breaking of the fourth wall in cinema, with the writer-star directly addressing the audience.
Though stills and some subtitles have survived, the film is now believed to be lost.