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  1. The Two Emilys by Sophia Lee
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We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. Dispatched from the UK in 3 business days When will my order arrive? Marie Corelli. Jack Saul. Robert Michael Ballantyne. Florence Marryat. Caroline Lamb. Caroline Clive. Sir Arthur Conan Doyle. A W Clarke. Eaton Stannard Barrett. Joseph Sheridan Le Fanu. Regina Maria Roche. Forrest Reid. Grant Allen.

A curious woman, for all intents and purposes, is a dead one.

George W M Reynolds. Frederick Rolfe.


  1. Valancourt.
  2. Publisher Series: Valancourt Classics.
  3. Wordsworth the Poet?

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The Two Emilys by Sophia Lee

About this product. Stock photo. Brand new: lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Emily Arden, and the man over whom they do battle, the Marquis of Lenox. Will the good Emily or the evil one prevail?.

Featuring a wild, improbable plot and action that ranges from Ireland and Scotland to Switzerland and Italy, "The Two Emilys" remains an unpredictable and thrilling Gothic tale. See details. Buy It Now.

The Two Emilys

Vocal welcomes creators of all shapes and sizes. Join for free and start creating. To learn more about Vocal, visit our resources. It's a gothic lesbian vampire comic, a sentence in which every word gets more and more exciting. In anticipation for this release, I am going to be looking back at Carroll's previous comic, Through the Woods.

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A simple glance at any of Carroll's comics shows an obvious fascination with the female body. Both in an erotic sense, and a grotesque sense, two sides of the same coin. The others are all centred on women, women as allies, women as adversaries, who have to save themselves or save each other. Men, for the most part, are inconsequential. When they're characters they're either faceless villains or complicit in the terrorizing of women. Carroll illustrates a litany of horrors in her macabre fantasy world—monsters disguised as men, murderous husbands, shapeshifting entities, ghostly possession, bodily infiltration; but, of all of these dangers, it's clear that girlhood is the most perilous of all.

The female body is a site of violence in fairy tales. The female body is one which is constantly treated as a material object to be claimed, controlled, or destroyed. Most alarmingly is the violence done to girls in multitudes, and the way it is brushed off. Bluebeard murders six of his wives for disobeying orders before he is finally stopped; the titular Robber Bridegroom and his band of rogues pretend to be rich suitors before kidnapping and chopping up girl after girl after girl.


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  • Often this violence comes because the woman in question is beautiful, or flaunts her looks, causing her downfall. Carroll does not shy away from showing brutality in her stories. A disembodied woman sings a siren song visually represented as a trail of blood running across the pages; a seemingly ordinary young woman is shown to be the vessel for countless monsters, red tendrils like worms pouring out from her mouth and eyes.

    Often this violence comes because the woman in question is beautiful, or flaunts her looks causing her downfall. A beautiful woman can be flawed typically exemplified in laziness, vanity, or selfishness but her hamartia is never anything that cannot be overcome by the end of the story to turn her into a submissive, humble bride.

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    This belief bears a simple message: be a good person and you too can be beautiful. Rebecca in "The Nesting Place" is a paragon of roaring twenties beauty but that beauty is a cover for a horrible secret barely contained by her skin. Beauty almost always comes with a terrible price.