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Labels: Stamolis food porn. One Christmas when I was a kid, I woke on Christmas morning feeling really ill. Maybe just a nice piece of turkey without any of the trimmings. The stuffing, the chipolatas, the bread sauce, these were the things I wanted to eat. And the roast potatoes, of course.

Surprisingly little has changed. I like smoked salmon for the lemon juice and black pepper. I like snails for the garlic butter. And when it comes to Christmas pudding, what I really enjoy is pouring brandy over it and setting it on fire. Christmas mince pies, however, seem to fall into a different category. They really do fill me with a deep and intense nostalgia.

My mother made a pretty good mince pie, but more than that, in England, several varieties of mince pie can be found in every corner shop, whereas in LA the mince pie seems to be a rare gourmet treat. Or, of course, people just find 'em disgusting. Do click on it to get a close up. Or it will if we do it again next year. Hey, and believe it or not, they taste absolutely great.

It seems I actually do like mincemeat a very great deal. Happy Christmas. May your eating may be merry and bright. Labels: Christmas trimmings mincemeat. Quite how a pig got into cyberspace is a matter for debate. Is it a cyber pig? An algorithm? Curacao spritzers? I guess Tron Legacy is taking place in the present rather than the future, but the Bridges pad does have that stark, unlived-in minimalism that the movies used to associate with the future.

I guess it was Bladerunner that persuaded us the future might be even messier than the present. Certainly many have found and will continue to find his libertine works abhorrent, but nowadays most will wish to confront, not censor, him. Yet, censorship can take far more subtle forms than outright banning: as we have already seen, the exclusion of a writer from courses of study or literary histories or the shelves of public libraries can be just as effective in keeping him out of the public domain.

While writing this book, I was struck by the number of young people of my acquaintance all intelligent and wellinformed individuals who had never heard of the Marquis de Sade. Before turning in this introductory chapter to his literary and philosophical ideas and finally reviewing the critical background, I shall therefore summarise the known facts of his existence. Who or what, then, was the divine Marquis? Biographical Details There are as many Sades as there are biographies of him, in that every biographer is ideologically motivated to present a particular version of his life, thought and attitudes.

Given that the sources of information are almost entirely confined to letters written by Sade himself from prison or by others who took up positions on his behaviour, any attempt to write about the Marquis de Sades life runs an exceptional risk of fictionalising further that which has already been. The conflation of the life with the work, or worse, the works standing in for the life, helps to perpetuate the myth that masks any truth that there might be: myth of Sade the vivisector, child murderer, and woman beater, myth of Sade the apostle of freedom Apollinaires accolade to Sade as the freest spirit who ever lived , myth of a genius unrecognised and misunderstood.

Awareness of the dangers will not necessarily prevent us from creating yet another Sade myth there is no such thing as total objectivity but it might help us to do more justice to the complexity of the Sadean phenomenon. The main influences on Sades young life were his father and his paternal uncle, the Abb Jacques Franois de Sade, who were both active debauchees: the lustful Abb enjoyed liaisons with a number of society women and even visited some of the more notorious Parisian bordellos, while the bisexual Count was on one occasion arrested for accosting a young man in the Tuileries Gardens.

At the same time, both were highly cultured men. Sades father was a close friend of Voltaires and himself wrote verses, while Donatiens uncle in particular had a fine and extensive library which, alongside the classic authors, included all the major works of contemporary Enlightenment philosophy as well as a fair sample of erotic writings. As Donatien spent much of his early childhood at the family chteau of Saumane in Provence in the care of his uncle, he had plenty of time to become well acquainted with this library of free-thinking authors. The future writer and rou grew up, then, in a world of progressive ideas and libertine tastes.

It was also a predominantly masculine world. When he was not in the company of his father and uncle, Donatiens early education was divided between the Jesuit college of Louis-le-Grand in Paris, which he attended alongside other boys of the French aristocracy and haute bourgeoisie between the ages of ten and fourteen, and a young preceptor by the name of Abb Amblet, who taught him reading, arithmetic, geography.

From the evidence of Sades own later correspondence, Amblet was a gentle and highly intelligent man, and the only male member of the childs entourage who was not a libertine.


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From the Jesuits, Sade acquired a taste for rigorous intellectual enquiry, the debating skills of classical rhetoric and, above all, a lifelong passion for the theatre. The Jesuits enthusiasm at this time for both sodomy and corporal punishment may also have helped shape the young Marquiss nascent sexuality. As for his mother, she appeared to take very little interest in her only child. Her relative absence from his childhood is often seen by critics as the possible source of the mother hatred that permeates Sades adult writings, although a number of mother substitutes did flit in and out of little Donatiens life.

These were his paternal grandmother and five aunts who doted on the only boy in the family, showering him with gifts and indulging his every whim behaviour that, as the Marquis himself was later to admit, only served to increase his natural tendencies to arrogance and self-centredness. Donatien was by all accounts a handsome young lad with blue eyes and curly blond hair, and his aunts were just the first in a long line of female relatives and family friends who would be seduced by the future libertines charming looks and sensitive character.

At the age of 14, Sade was sent to a prestigious military academy to train for service in the light cavalry regiment of the kings guard.

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The Comte de Sade was keen for his son to embark on a military career and only a year later was able to pull enough strings to get his son a sub-lieutenantship. The Carabineers only took tall, well-built men the minimum height was five feet four inches, which was considered well above average in the eighteenth century , and Donatien was only five feet two, but the Count was able to call in a favour from the brigades commander-in-chief.

It was the end of and the eve of the Seven Years War. During the next few years, Donatien distinguished himself in action against the British, successes that he would later attribute less to courage than to a natural aggressiveness. The Count became thoroughly disen-. This state of affairs was exacerbated in by the death of a grandmother, the dowager Marquise de Sade, whom he adored. When the war came to an end in , the now yearold Marquis left one dissolute life as a soldier for another as a Paris socialite, much to the exasperation of his now destitute father who determined to find him a wife and a dowry without delay, and quickly came up with the daughter of a senior Paris judge.

Of about the same age as Donatien, Rene-Plagie de Montreuil came from the recently ennobled bourgeoisie rather than from the traditional aristocracy to which the Sade family proudly belonged, but the Montreuils were well connected and wealthy, and offered a substantial dowry for their eldest daughter. Rene-Plagie was a plain girl and of no great intellect, though independent-minded and possessing a strength of character that would prove an enormous asset in the years to come. She would indeed remain utterly devoted to her husband during all the trying times ahead. Her mother, the Prsidente de Montreuil, was a formidable woman who would also play a significant role in the Marquis de Sades destiny.

At first, the Marquis refused point blank to marry the Montreuil girl on the grounds that he was deeply in love with another woman. Then a second, potentially more serious, problem presented itself. Just before the planned wedding, Donatien discovered that he was infected with venereal disease.

After a number of delays, however, the wedding ceremony finally took place on 17 May The young couple were initially housed by the Montreuils, either in their Paris house or in their chteau in Normandy, and for a while all was domestic peace and harmony. It was at this time that Sade began to put on plays, allocating parts to his wife and even his mother-in-law, indulging an interest in the theatre which had been awakened during his school days by the Jesuits and would last throughout his life.

This was the quiet before the first storm of Sades libertine career: only five months after the wedding, the impetuous Marquis was arrested for the crime. It appears from police records that, having paid a year-old Parisian whore named Jeanne Testard to spend the night with him, Sade had shocked her religious sensibilities with talk of masturbating into chalices and thrusting communion hosts into womens vaginas, and had then frightened her with whips and other weapons into committing a number of similar sacrilegious acts.

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She had, however, refused to let him bugger her not surprisingly, since sodomy was a capital offence in eighteenth-century France. Sades first spell of imprisonment lasted only three weeks. On 13 November , the king ordered his release on condition that he reside at the Montreuils chteau in Normandy and keep out of mischief.

In the Marquis was given permission to move back to Paris. The next couple of years saw him fall in and out of love with three women, all actresses whom he met while frequenting the theatrical milieu. One might conjecture that this succession of painful amorous experiences eventually had a desensitising effect on Sades emotional character. The last of these paramours, a Mademoiselle Beauvoisin, even accompanied him as his wife to La Coste, where the Sade family owned a castle and land.


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Sade enjoyed a feudalstyle relationship with the villagers of La Coste, who for the most part remained loyal and even affectionate towards their lord and master throughout the turbulent decades to come. For his part, Sade was deeply attached to the property, which sits on a hill overlooking magnificent rolling scenery in the west of Provence, and made up his mind to live there permanently with his real wife and family.

In , he began extensive renovations, planting groves of fruit trees and enlarging the private theatre that he had already started building in the castle the previous year. On the list of the building work was the construction of a secret apartment, in which he would house his growing collection of erotic and anti-clerical books, as well as a number of oddities, including a large collection of enema syringes. In January , Sades father died at the age of This was a traumatic event for Donatien who had been very close to the Count, in spite of their many quarrels.

Perhaps it was as a mark of fondness and respect for his fathers memory. Later that year, he returned to Paris for the birth of Louis-Marie, the first of Plagies children who would survive into adulthood. Back in the capital, it was not long, however, before the young husbands extramarital activities were causing fresh scandals.

On Easter Sunday in , Sade picked up a year-old beggar named Rose Keller and, on the pretext of needing a cleaner, took her to a little country house he had rented at Arcueil. Once there, he locked the woman up, ordered her to strip and whipped her, pouring what felt to her like molten wax into her wounds.

Keller later managed to escape from the house and report her experience to the police. Sade was duly arrested and taken to the royal prison at Saumur, where he was held for a fortnight before being transferred to Pierre-Encize, another royal prison near Lyons. His valet was allowed to accompany him to Pierre-Encize because he was suffering from a bad attack of haemorrhoids and needed someone to help change his dressings daily. But the single event that probably did most damage to his relationship with La Prsidente was the love affair with his wifes youngest sister, Anne-Prospre de Launay, who was as beautiful as Rene-Plagie was plain.

Fresh from her convent schooling and still dressed as a nun, this pretty and by all accounts flirtatious year-old must have represented to Sade all the taboos that his fictional characters would take such pleasure in breaking: virginity, incest and religion. The two would soon be thrown together by the consequences of another major scandal. On 22 June , Sade and his valet, Latour, set off for Marseilles to obtain a much needed loan.

It was not long, however, before they were looking to spend the money Sade had just borrowed in Frances southern city of sin. In humorous self-disguise, the two men swapped names Sade calling his servant Monsieur le Marquis, while Latour addressed his master as Lafleur which would later be the name of a valet in La Philosophie dans le boudoir and organised a session of debauchery with four young prostitutes, ranging in age from 18 to The session included acts of flagellation and sodomy, but, most memorably for the girls, they were asked to swallow pastilles containing cantharides or Spanish fly , a well-known aphrodisiac, although the intention on this occasion was to cause flatulence, the effects of which Sade found particularly arousing.

Less than a week later, a warrant was issued for the two mens arrest, and on 9 July the police arrived at La Coste to take them into custody. But they were too late. An actor in Sades theatre company having warned them of the allegations made in Marseilles, Sade and Latour had already fled, accompanied this time by the ravishing Anne-Prospre. In spite of RenePlagies attempts to bribe the whores into withdrawing their accusations, the two men were found guilty of all charges and condemned to death in absentia sodomy alone, we remember, carried the death sentence at this time , and on 12 September their bodies were symbolically burned in effigy.

By now, the three runaways had reached Italy, Sade travelling under the pseudonym of the Comte de Mazan. This was the first of three Italian trips that Sade undertook between and in his attempts to escape French justice. These journeys prompted him to write his first major literary work, Voyages dItalie, a sort of travelogue with philosophical and historical commentaries, which would not be published until but which represented an important stage in his formation as a writer and thinker.

On the one hand, the travel perspective enabled Sade to develop a theme to which he would return repeatedly in his libertine fiction and which would come to form the basis of his opposition to the absolutism of religious morality: the. On the other hand, in their increasing improbability, events in the Marquis de Sades life were beginning to resemble the picaresque adventures of the typical eighteenth-century hero of fiction and so would also provide ample inspiration as well as geographical and cultural material for the novels he would write in the s Justine and Juliette.

During this four-year period, Sade played an extended cat and mouse game with the French authorities. He was arrested in Chambry in December by order of the King of Sardinia and detained at the sixteenth-century fortress of Miolans. Rene-Plagie did all she could to obtain his release, but the Montreuils exercised their influence to keep him behind bars.

His devoted wife was even refused permission to visit him and, on one memorable occasion, was reduced to dressing as a man in order to gain access to the prison! On 30 April , however, Sade managed to escape by crawling through a kitchen window and in the autumn of that year he finally made his way back to La Coste, where he was able to spend a few quiet months with Rene-Plagie.

The following January, a loyal villager warned Sade of an impending police raid on the chteau an expedition commissioned by a mother-in-law who would never forgive him the seduction of her youngest daughter and the fugitive Marquis was once again forced to flee. By March, he was heading down the Rhne for Marseilles, dressed as a priest! Given the vehemence of Sades anti-clerical views, this is one of a number of ironies that seemed to punctuate Sades career as an outlaw.

At the instigation of Mme de Montreuil, warrants for Sades arrest were issued and reissued over the next few years. Before the first extended period of Sades imprisonment which began in and was to last until the Revolution, there was one more scandal which greatly assisted La Prsidente in her vigorous campaign to get her embarrassingly wayward son-in-law permanently locked up. This was known as the Little Girls affair. During a period of prolonged residence in hiding at La Coste between and , the Marquis had hired five.

It was Anne Sablonnire, a young woman of 24, otherwise known as Nanon, who helped find the girls and was as a consequence later alleged to have acted as procuress. There was undoubtedly some truth in this, in that the intention had almost certainly been to organise a little harem for sexual purposes, which included flagellation and sodomy. In January Sade was accused of having abducted the five young girls. This situation was exacerbated in the spring of that year by Nanons giving birth to an illegitimate child and claiming that Sade was the father.

This affair was hushed up in a manner which does not reflect well on the Sade or the Montreuil families, who succeeded in pulling enough strings to get her arrested for an alleged theft of three silver plates and locked away in a house of detention at Arles where she would remain for three years.

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Her baby died of neglect at La Coste at the age of ten weeks. As for the five girls, four of them were sent off to various nunneries to keep them quiet, while one chose to stay with Rene-Plagie as a scullery maid. Nevertheless, the whole business of the little girls had done his reputation considerable damage and, fearing another police raid on La Coste, Donatien headed for Italy again.

It was a full year before he felt safe enough to return to Provence. Settling down once more in the reassuringly familiar feudal surroundings of the chteau, Sade began to recruit young girls again. These included a pretty year-old named Catherine Treillet, whom he nicknamed Justine. When the daughter refused to go with him, he became violent and fired at the Marquis. This incident obviously had legal repercussions which contributed to a fateful decision.

In his legal battle with Treillet, Sade determined to seek satisfaction in the Paris courts, and on 8 February he and Rene-Plagie arrived in the capital, where he learned that his mother had died three weeks earlier. Regardless of the circumstances, this was a perfect opportunity for Madame de Montreuil to dispose. He would not be released for 13 long years. The following year, the verdict imposed on Sade and his valet for the Marseilles poisoning was in fact annulled by the court at Aix, but, to his horror, Madame de Montreuil was able to have a new lettre de cachet issued to keep her sonin-law detained.

As they stopped to rest at a coaching inn in Valence, the resourceful Marquis managed to give his guards the slip and made off into the surrounding countryside. While Inspector Marais and his officers searched the inn and outbuildings, Sade headed for La Coste, which he reached on foot at eight oclock the next morning.

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His freedom was short-lived, however, for, just six weeks later, Marais stormed the chteau with a detachment of ten armed men and brutally rearrested the Marquis, escorting him in ignominy back to Vincennes. This fleeting taste of liberty was the only interruption in a year period of detention, initially at Vincennes and then in the Bastille to which Sade was transferred in February To fill the long days and evenings, he read voraciously, gradually amassing a varied and extensive library which included the classics he had read as a child such as Homer, Virgil, Montaigne, La Fontaine, Boccaccio , works of Enlightenment philosophy by Buffon, La Mettrie, dHolbach, Diderot, Rousseau and Voltaire, and, of course, volume upon volume of drama and fiction by Beaumarchais, Marivaux, Voltaire, Defoe, Rousseau, Shakespeare and many others.

Some have conjectured that, if it had not been for this protracted period of imprisonment, the Marquis de Sade would never have become a serious author, for it was in the solitude of his prison cell that he began to write in earnest, producing a remarkable number of works in a relatively short time. So prolific, in fact, was the Marquiss literary output that in he was able to compose a comprehensive catalogue of his works, listing no fewer than eight novels and volumes of short stories, 16 historical novellas, two volumes of essays, an.

From this canon of writings, only a small number survived the storming of the Bastille in , so the following remarks naturally apply to these alone. All the plays and two important works of prose the lengthy epistolary novel, Aline et Valcour, and the slightly risqu but conventionally written philosophical short story, Les Infortunes de la vertu, which would form the basis of the full-length obscene novel, Justine, that Sade would publish after the Revolution conformed in every sense to accepted literary norms, but, with the exception of Les Infortunes, none of these has been considered by critics to be of special literary value.

On the other hand, of the libertine works composed during these prison years, the novel, Les Journes de Sodome, written between and , and a philosophical essay with strong libertine overtones, Dialogue entre un prtre et un moribond or Dialogue between a Priest and a Dying Man represent important milestones in Sades evolution as a writer and thinker. Indeed, in their total disregard for the conventions of form as well as of content, the obscene works that he began to produce in prison in the s and completed for publication in the s are of considerably more interest than anything else he wrote.

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When the Revolution came, Sades watchword was expediency. In the months and weeks immediately preceding the storming of the Bastille on 14 July , crowds of increasingly restive Parisians were in the habit of gathering underneath its walls. Sade quickly saw that the present unrest offered his best chance of freedom in 13 years and, improvising a megaphone from a long metal funnel that he used to empty his slops into the moat, he bellowed to the throngs below that the guards were about to cut the prisoners throats. This provocative act immediately got Sade moved to the lunatic asylum at Charenton, a few miles south of Paris, where he could do no more harm.

Ten days after the funnel incident, however, the citizens of Paris took his advice and invaded the fortress, murdering the governor and plundering or destroying those manuscripts and other personal possessions that Sade had not previously been able to smuggle out of the building. The lost works included Les Journes de Sodome. He had to wait until the following.

April before finally being set free thanks to the abolition by the new National Assembly of lettres de cachet, the legal means by which Sade and so many others had been held without trial for indefinite periods under the ancien rgime. Therefore, on April Fools Day, Sade was thrust into the turbulent theatre of revolution, a balding and obese man of nearly 50 with not a single penny in his pocket. RenePlagie, who had remained utterly devoted to her husband throughout most of his time in prison, had by this time resolved to live alone in a Paris convent and had steadfastly refused to see him.

It was not long, though, before the Marquiss old magnetic charm was able to rescue him from dying of starvation in the streets. That summer, Sade met the woman who would take his wifes place as loyal companion, if not as lover. Constance Quesnet, a year-old former actress, who was separated from her husband and had a sixyear-old son, would remain at his side for the rest of his life. Nicknamed Sensible or Sensitive by Sade because of her highly strung temperament, Constance was a modestly educated but gentle, loving and intelligent woman, who brought a much needed calming presence into Donatiens life.

The couple scraped a living on her small allowance, while Citizen Louis Sade, as he was now obliged to style himself, tried to get his plays performed at the Comdie Franaise and other leading Paris theatres. These efforts were largely unsuccessful, however, and Sades increasingly straightened circumstances brought about by years of mounting debts and the seizure of his lands under the Revolution drove him to publish between and well-spiced novels that he hoped would sell well: Justine ou les Malheurs de la vertu in , La Philosophie dans le boudoir in , La Nouvelle Justine and lHistoire de Juliette in Citizen Sade was determined to make money, although in fact, for reasons which have more to do with the prevailing climate of taste in the s than with anything else, the first Justine alone achieved best-seller status.

Although remaining an aristocrat and a monarchist at heart, Sade nevertheless managed to survive the Revolution. This he did admirably, throwing himself energetically into local activities and penning wellreceived patriotic speeches. Indeed, for a former aristocrat, his rise to prominence as a revolutionary was remarkable.

He became secretary, then president, of his section for a brief period, and was eventually appointed one of the sections 20 judges, positions which he could very easily have exploited to avenge himself on the Montreuils, whose death warrants he was asked to sign. However, being a lifelong opponent of the death penalty, Sade saved his inlaws and many others from the guillotine.

Such inaction was to have its consequences. On 8 December , Sade was arrested for counter-revolutionary activities. He was charged with having sought admission to the kings royal guard in , although this accusation was merely a pretext for the removal of a man whose judicial moderation was viewed by the architects of the Terror as unpatriotic and whose atheism was no longer fashionable. Robespierres cult of the Supreme Being was now the prevailing credo. Shuttled from prison to prison during the early months of , Sade finally ended up at Picpus near Vincennes, a well-appointed former convent.

It was here, from his cell window, that the ci-devant or former Marquis watched as many of his fellow aristocrats mounted the steps of the guillotine, which had been moved to the Picpus location from Place de la Rvolution the present-day Place de la Concorde because of the stench of blood, their corpses piled into a mass grave that had been dug in the prison gardens. A large lead urn placed under the guillotine to collect the blood was emptied at Picpus every evening. He would later write that the sight of the guillotine did him a hundred times more harm than his imprisonment in the Bastille ever did.

Sade himself escaped the guillotine thanks to bureaucratic confusion. In July his name appeared on a list of prisoners to be collected from Paris jails for judgement and execution that day, but as he failed to respond when his name was called, he was marked down as absent. Within a short time, the political climate had changed again with Robespierres own fall from grace and execution, and Sade was freed on 15 October For the next five years, Sade and Constance lived a fromhand-to-mouth existence.

When the writing failed to bring in sufficient income to keep them afloat, Sade would write desperate letters to his lawyer, Gaufridy, begging him to send him money, though to little avail. By , the former nobleman and landowner was even reduced to working as prompt in a Versailles theatre for 40 sous a day. Eventually, under the strict new censorship laws of the Bonaparte regime, Sades reputation as the author of the infamous Justine caught up with him, and on 6 March , he was arrested at his publishers. For the first time in his life, he was imprisoned for his writings and, with no powerful voices raised in support of his release, he would remain in detention until his death in Less than two weeks after his arrest, the Sade-Montreuil family arranged for the Marquis to be transferred to the Charenton asylum, where he had briefly stayed in , in surroundings far more salubrious than any of the Paris prisons.

The authorities justified Sades continued detention and move to an insane asylum by inventing the medical diagnosis of libertine dementia, although in no sense could Sade be described as demented. The arrangement was one of pure convenience for the family. With their father out of the way, the Marquiss two sons would have a better chance of finding suitable brides. Under the enlightened management of Franois de Coulmier, however, Charenton offered the ageing and indigent Marquis a number of distinct advantages.

The family was obliged to pay for his accommodation, which was by no means spartan. He had an expensively furnished two-room flat, with agreeable rustic views, a library of several hundred volumes, and the freedom to walk in the gardens whenever he liked. It was the social and intellectual life at Charenton, however, which proved especially agreeable. Constance was allowed to move into the asylum with him, there were frequent dinner parties, and Sade enjoyed a stimulating, if at times tempestuous, relationship with the asylum director. The latter was progressive enough in his views to believe in the therapeutic value of theatre; consequently, for the first time in his life, Sade was given free rein to indulge his greatest passion.

A full-size theatre was built. All of the plays performed at the asylum were wholly conventional in character unlike the psychodrama experiments represented in Peter Weisss s play, Marat-Sade and were enacted by Sade, Constance and other inmates with the support of professional actresses brought from the capital.

Productions were highly successful and attracted large society audiences. In addition to these enjoyable dramatic ventures, Sade wrote four more novels at Charenton, of which only three have survived: Adlade de Brunswick, princesse de Saxe, vnement du XI sicle, lHistoire secrte dIsabelle de Bavire, reine de France, and La Marquise de Gange, all conventional historical narratives.

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It seems, however, that the libertine flame in Sade was not completely extinguished during his declining years. From the autumn of until his death two years later, a year-old girl named Madeleine Leclerc, whose mother worked in the asylum, visited Sade on a regular basis. The arrangement was certainly a financial one, although there may also have been a romantic involvement of some sort.

One wonders how Constance must have felt about the situation. It is one of the greatest paradoxes of the Marquis de Sades life that imprisonment not only provided the opportunity for literary and dramatic creation, but this time also made it possible for him to indulge his libertine urges with total impunity. Sade died on 2 December at the age of His last will and testament had directed that his body be buried without ceremony or headstone on land he had purchased at Malmaison, near pernon.

Acorns were to be sown around the spot so that the traces of my grave will disappear from the surface of the earth as I trust my memory will disappear from the memory of men, except for those few who were kind enough to love me until the last, and fond memories of whom I take with me into my grave. Japanese lesbian Fetish Lesbian Massage Japanese. Japanese lesbian Japanese fabulous Lesbian Hd Japanese. Japanese lesbian Lesbian Fetish Japanese.

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