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Usually ships in 24 hours. Share on Facebook Pin this item Email a friend Tweet this item. Spesso comprati insieme. Questo articolo: Filipino Children's Favorite Stories. Filipino Friends. Search Products Search for:. Tapestry Books Tapestry Books specializes in adoption related books and resources. The novel takes you back to her fantasy realm of Ketterdam, featuring a ragtag crew of outcasts who must pull off a major heist. The result is a fast-paced story that will keep you turning the beautifully designed pages for hours.

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Six of Crows stands on its own. Rowling In the s, the Harry Potter novels became the rare series read by fantasy fans and non-fantasy fans, book lovers and non-book lovers, basically everyone on planet Earth. Harry, Hermione and Ron captured our collective hearts even as they bickered and lost trust in each other.

Harry comes to believe his dual nemeses at Hogwarts—Draco Malfoy and Severus Snape—are in direct league with Lord Voldemort, something he gets only partly right. The books grew up along with their characters and their readers, raising the stakes and emotions in the best-selling book series in history. A Storm of Swords by George R. Martin No author does Machiavellian political intrigue quite like George R.

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When one of our favorite characters dies, we fear for the next one. Jon Snow, Arya Stark, Tyrion Lannister, Daenerys Targaryen: These names will remain iconic figures in fantasy literature long after many books on this list go out of print. With several narratives weaving in and out of the magical romance, Morgenstern expertly weaves a beautiful tapestry of a novel, that soars as high as the tents in the fictional circus. The City of Brass by S.

Set in the 18th century, readers meet Nahri, a skilled con woman who swindles her way through life… until she makes a mistake of magical consequences. She summons a djinn warrior, and finds herself thrown into the magical, mythical world she never believed existed. And at the heart of that world, is the City of Brass, a place called Daevabad.

Multi-POV narratives can be challenging to sustain even when all the characters are in the same story—doing it with six separate, barely-connected narratives is almost a magic trick. The Fifth Season by N. Jemisin The first book in N. The Fifth Season also boasts a complex protagonist who is a mother, gifting us with one of the most formidable and fascinating characters of the 21st century.

Mistborn: The Final Empire by Brandon Sanderson In exploring a shocking question—What happens if the hero fails and the villain reigns? It boasts all of the best fantasy elements: a unique magic system, a ragtag group of rebels led by a charismatic rogue, an orphan with mysterious powers. But Sanderson weaves those predictable elements into a breathtaking saga that promises twists every step of the way.

When a young soldier groomed to take over the oppressive, military government decides to turn his back on the regime, he collides with a young scholar determined to save her brother. The story continues in A Torch Against the Night. Harry Potter and the Deathly Hallows by J. And we got that plus a lot more: In the conclusion to the seven-book series J. An archetypal, alchemy-suffused coming-of-age tale set in a highly clever and lavishly realized alternate world, Harry Potter and the Deathly Hallows is the kind of book you read over and over, simply because the culmination is so satisfying.

A flawed piece of prose but a wonderful finale to a thoroughly marvelous concept. The Way of Kings by Brandon Sanderson Brandon Sanderson is a master of many aspects of the fantasy genre: epic world-building, coherent systems of magic and unforgettable character development. All those are in peak form in his masterwork, The Way of Kings , the first of his three-book-long-and-counting series The Stormlight Archive.

Roshar is a world where magic is rare, but spren—the spirits of just about every object or idea—are common. A few magic items like soulcasters, shard blades and shard plates are remnants of a grander age. Thorn Bathu is the new protagonist, and she presents a familiar dilemma.

She was born to be a warrior, but she was also born female. Though she can train with the rest of the boys, she will never be one of them, and that's only made worse when she's branded a murderer. Abercrombie's foray into YA is a slightly more lighthearted take than his usual taste. But only slightly. Thorn's story is one of failure, learning to accept infallibility, accepting she isn't perfect. There's a deep exploration of morals through Brand, a naive warrior who tries not to kill.

It's a divergence from the usual gore and killing off main characters, but that somehow makes it feel more intelligent. Together, Thorn and Brand must travel the world, convince allies, and start a war. The Deed of Paksenarrion. The Paksenarrion trilogy introduces another female warrior lead, but that doesn't mean its protagonist is ordinary. Paks doesn't start out a strong, brooding hero. She's not particularly intelligent, she doesn't question orders, she doesn't want children.

It's loyalty that holds her together, and it's what eventually leads her to change. The pure scope of Moon's trilogy makes the number of books feel warranted, and that's partly thanks to the huge character development. It's not just a case of sheep farmer to paladin Paks changes right down to her very core.

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Her morality, psychology, and religion are all influenced by the events in the series, leaving a feeling of real change, rather than an afterthought. There's a sense of a classic chronicle to the book, a medieval world complete with elves and dwarves. It's high fantasy, but also very clearly an epic adventure. Its battle scenes are littered with Moon's experience as a marine, complete with gory scenes and the ambiguity of hero or tool. A lot of novels on this list are either children's stories or young adult.

While they make for great stories, there are some great coming of age stories that feature very mature content. Primarily, Phedre's Trilogy is a fantasy series. It features a medieval world in Terre d'Ange, a mirror of France. It's complete with angelic powers, myths, and warriors. It also contains some BDSM. In the hands of a novice writer, this could become a Fifty Shades sleaze-fest. And though this is Carey's debut, she's far more subtle than that. Sexuality is tied into the very fabric of the world, feeling like an extension of it rather than being thrown in randomly.

It's a fantasy book first, and a romance one second. Still, Carey realizes that the discovery of sex is an important role in coming of age. She doesn't linger on it unnecessarily, but it does tie naturally into the thread of the story. We follow Phedre from her roots as a courtesan, where a red mote in her eye makes her undesirable. However, it's more than just a blemish.

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According to her new patron, it's a mark from the heavens. What follows is an education surpassing her humble beginning. She learns not just language and history but to observe and influence. It's a telling that's epic in scale, stretching across three large books as Phedre uses her knowledge to combat conspiracies and save the ones she loves. Her flawless writing skill brings something really special to the YA genre and won her Newbery Honor in McKinley's country of Damar takes readers away from the popular medieval setting and into a sandy world.

There's stunning detail here, not just in vivid description but the cultures of each group. When Harry is captured by the nomadic Hillfolk, things only get better. Finding she has kelar in her blood, she slowly comes to terms with her heritage and magical ability. She quickly takes to the Hillfolk, feeling at home for the first time with the horses and language. But there's a war coming from the north, and Harry has a lot of growing up to do before she can face it.

She learns to become unbeholden to the wills of others, control her kelar, and become a hero. While some of the books on this list offer a fresh take on the classics, Jim Butcher creates something entirely new. It began on a writer's workshop board during an argument, where he was challenged to write a book out of two central ideas the lost roman legion and Pokmon. Despite its source material, the result is surprisingly unique.

Butcher details a world in which aggressive races are complemented by elemental creatures called furies. Tavi from the rome-like Alera, and at fifteen years old he still can't furycraft. Butcher manages to flip expectations by creating a protagonist who doesn't come into great power. In fact, Tavi seems to be the only one without magic, and for once that makes things more interesting.

As their next door neighbors prepare to declare war, Tavi has to rely on his wits to survive. As the series progresses, he learns his lack of magic doesn't make him worthless, facing emotional turmoil and coming out a strong, well-trained man. Chronicles of Amber. The Amber Chronicles is a complex blend of genres and plot. It starts like a murder mystery, drawing the reader in, then it moves on to a mixture of sci-fi and fantasy. However, while Zelanzy's tension-building goes a long way, it's the character that keeps the reader invested throughout this ten book series.

The book is from the perspective of Corwin, a hospitalized amnesiac trying to remember his true identity. We follow along as he tries to unravel his thoughts with the hard resourcefulness. But then Corwin learns that he's not in his home world but has been banished to shadowland that is earth. More than that, he has a claim to the throne, and his siblings are all too happy to kill him to take it.

In an inspiring change, Zelazny details Corwin's growth as he comes to remember little details about himself and his personality changes as a result. It's a subtle beginning, opening to flood as he both realizes himself and is altered by the events of the series.

Throughout it all, he remains intensely lovable, human, and eloquent. The Chronicles of Prydain. Alexander's Wales-inspired epic fantasy offers little in the way of originality when compared to the novels of today. It's a simple tale of Taran, a pig farmer who has always wanted more, and gets more than he's bargained for. But as is common in these stories, execution is the key, and this author has it down to a tee. The Chronicles of Prydain is an adventure novel at its core, detailing the fight and journey a band of heroes against evil.

There are some incredibly strong characters, from half animals to princesses and soulless warriors. There's no Mary Sue characters in this book, each defined as much by their flaws as their weaknesses. But that doesn't mean they have no redeemable qualities, and many of their internal journeys are about finding those. Despite this, none of them reach the depth of Taran, which is where Alexander's true mastery shows.

He manages to create a feeling of care for the character despite his clumsiness and irritability. Taran is not a stalwart warrior with no emotion, he's fragile and still learning. Still, he has such a strong presence that Alexander never has to describe his face. Every now and then, a book comes along that reinvigorates your love for a genre. They bring something new to the table unique ideas that prove innovation isn't dead.

Brett's The Warded Man is one of those novels, but it's also much more. In this world, the author creates a feeling of constant tension and danger. Demons skulk in the night, ready to kill anybody caught outside when the sun sets. The only thing that holds them back are wards, but they also confine society to a small area. Arlen believes his people should not trade safety for freedom and seeks to end the threat one and for all. In a society confined both physically and by its thinking, he's an outside thinker.

There's the regular journey from a nobody to a hero, but Brett also gives Arlen a feeling of morality and bravery without a lack of intelligence. Tying it together is a perfect pace that keeps you turning page after page. Before you know it, the word novel is over, and Arlen is almost a man.

Most of you will have read it already, some of you will be sick of it, but you can't do a coming of age list without mentioning it. Harry Potter is one of the most influential stories of this generation, and at its heart is a story of growth, friendship, and learning. The first book presents a typical orphan-to-legend trope as Harry slowly discovers who his parents were and the wizarding world he's been sheltered from. His affinity for magic and thwarting Voldemort quickly turns him into a legend, and his character matures into that role as the series continues.

However, things get more interesting when you consider the other characters in the story. Rowling manages to create incredible depth in every single one of her characters, evolving them organically from book to book. Ron, for example, learns to get over his disdain for Harry's fame, while Hermione ditches the know-it-all attitude and becomes more compassionate.

Neville has a great transformation from a clumsy, self-hating child to a competent and loyal resistance leader. The same attention is paid to the story's antagonists. Malfoy begins a spiteful child and progresses into something far more dangerous. Working in tandem with some truly amazing world building, this character progression makes Harry Potter well worth the praise it receives. The Chronicles of Narnia. At this point, there's very little to be said about Narnia that hasn't been put better already. But I have to justify this list somehow, so I may as well try.

Lewis remains one of the most influential figures of the last century, and he will continue to be for years to come. It starts when four children step through a wardrobe and into a fantasy world.

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A world full of talking animals, centaurs, and fauns. Humans are a rarity, and Susan, Edmund, Lucy, and Peter particularly so. They're the children of prophecy, destined to sit on the throne. Throughout the novel, each of the children deals with their own challenges and comes out changed. Lucy struggles to be believed, Edmund with jealousy, Susan with death, and Peter to control his younger siblings. In this intensely Christian story, Lewis tells of a battle between good versus evil, sacrifice, and maturity.

The children live out fifteen years in the world, returning the same age, yet forever changed. The Fionavar Tapestry. Gavriel Kay's Fionavar is an ode to J. Tolkien, building on his life as an editorial assistant to his son, Christopher. Kay was instrumental in the publication of the legend's posthumous works, and the echoes of those themes shine through in this series.

It carries many of the elements of classic heroic fantasy, complete with a rising evil and an unlikely hero. Kay's execution, though, is entirely different. The series follows five students from the university of Toronto as they find themselves in a magic world. While Tolkien blends many mythologies, this setting has a Celtic style that makes it feel incredibly unique. Kay keeps the lengthy, lyrical prose, but surpasses many in his characters and plot.

It's not a journey to Mordor it's complex, winding, linked and intricate. That describes his characters too, to an extent. The series has a huge number of them, yet they manage to promote real depth and emotion. The five each have their own flaws which they must overcome, and that makes for a great story of power, forgiveness and free will. Bloodsounder's Arc. This novel is dark fantasy down to the core, bringing a refreshing tone and plenty of room for development. It's told not from the eyes of the protagonist but the scribe Arki, unfolding the story with a feeling of instant legend.

The scribe follows a man called Captain Killcoin, a mercenary leader who wants someone to tell his journey. The story, however, is as much about Arki as it is Killcoin, and that's where the real coming of age lies. Integrating into the band of rough warriors, he is taught to survive, but also to live fully. Through this narrative perspective, Salyards shows not just growth but the depth of his world and characters.

Arki's questioning nature allows for expert world-building without pages of infodumps, immersing the reader completely in a medieval world. Likewise, his interaction with new characters shows the human nature of their relationships and makes action heavy with the fear of loss. Bartimaeus Sequence. If you're fed up with books that take themselves too seriously, Jonathan Stroud's debut series is a great place to find a break.

His style is of a casual, comedic tone, with heavy doses of cynicism and sarcasm. It's less of a world-shaking fight against evil and more of an adventure, infused with memorable characters and rule-breaking. This isn't your regular coming of age, either. Nathaniel doesn't learn to accept people for who they are or become a better person. If anything, he becomes more of a snarky dick. That may not make for the most likable protagonist, but there's plenty of growth in the area of magic, and the other characters more than make up for it. The second PoV from Bartimaeus, a sarcastic Djinn, brings the whole story together and creates plenty of funny moments.

In the end, though, the feeling of growth is still key in this story. Nathaniel's penchant for vengeance is marred slightly by a small conscience deep inside, and he eventually feels the need for redemption. Stroud's subversion ultimately makes the series stand out above the competition, and makes for a wildly entertaining read.

The Brother's Grimm have inspired countless adaptations and retellings, but Marillier's Sevenwaters is perhaps the best yet. She doesn't twist the story, accepting that the original is already a masterpiece. Instead, she expands on the world and hones in on the characters. For those familiar with fairy tales, this book is based on The Six Swans but takes place in a medieval Celtic world.

The protagonist takes on the name of Sorcha, who follows her six brothers around on their adventures, largely a supporter rather than a doer. That all changes when her brothers are put under a spell that only Sorcha can end. In a beautiful tale of love and hardship, Mariller paints a less than pleasant view of the world. It steps away from the trope of a universally happy ending, and pushes the thought that characters can come out stronger, but also broken in some way.

This book makes the list for its unique focus on psychology inside of the sub-genre. Connolly tells the story of a child so lost in books and darkness that he can no longer tell the difference between the real world and fantasy. There's no doubt that this is a character-driven novel, and David is the perfect conduit.

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Instead of the fairy tale world that's often present, his thoughts are marred by his depression, turning his fantasy into a terrifying, malice-filled world. As he develops from the age of twelve, he begins to mature, learn the meaning of morality, and the pain of love. More than that though, it's a story of overcoming monsters. The ones in David's world, and therefore the ones in his head. It's a touching, dark journey that mirrors the difficult process of grief. Harry Potter did the English magician story very well, but it also overshadowed some incredible books with similar settings.

Will is a chosen one of sorts, one of the few that can battle the powers. His mentor is an old, kind wizard, seeking to end the cycle of light and dark. It sounds quite familiar, but other than the setting, that's really where the similarity ends.

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Arguably, Cooper is a better writer than Rowling, stepping away from a cheery style and into a darker tone. Where JK's story is a mashup of different myths, Cooper's is a careful construct of Celtic and Arthurian legends. That makes for some very clear imagery and some fantastic conflicts. Will narrates the story from two perspectives, his young, content self, and his wise, magical self. As a narrative tool, it highlights the cost of power and the changes of adulthood.

It's not an easy journey, and Cooper weaves in heavy themes of loss, unwanted destiny, and darkness. The Cycle of Fire is another one of those classic series. The world is in danger, and three children are its only chance of survival. It's a popular plot line, but it's hard to deny how awesome it is to experience. Wurts' world is one of magicians, demons, and medieval swordplay.

Beyond that surface, though, it blends sci-fi elements, unusual characters, and a closer focus on psychology. Namely, Wurts has created a varying and flawed cast. He follows three protagonists that, like real life, are shaped by their childhood. It means that despite facing similar changes and events, they all react differently, creating a story of diverging paths of character development.

Through Taen, Emien and Jaric, Wurts explores themes of heritage, self-doubt, and empathy. There's no complex plot, but his canny characterisation is more than enough to drive the story to success. If you're looking to scratch the itch for an epic after finishing Game of Thrones , this series is a great place to start. It details the growth of the king's four children through to adulthood, jumping across a multitude of perspectives, political maneuvering, and battles.

It's huge in scope and slow in its pacing, but Acaia has that rare ability to make you think deeply. Durham, seamlessly integrates important philosophies into the story through his characters and their actions. None of the four protagonists are outright 'heroes'. In fact, the book takes a close look at the monstrosities dynasties get away with in the name of good. You quickly learn that the kingdom isn't all it's cracked up to be, and when the threat of invasion looms, it's not always easy to pick the right side. It's not an easy read. There isn't a constant or flashy use of magic to catch your eye, and the sheer detail means it can be overwhelming.

But if you can push past that, you'll find real value in this story of betrayal, war, and relatable villains. Song of the Lioness. Tamora Pierce's Lioness series manages to touch on difficult issues without ever preaching them. Through Alanna, she explores both feminist and gender identity issues while weaving an epic story of action and knighthood. The hook comes in the form of ambition to step outside of society's boxes in a backward and medieval world.

Alanna has always longed for adventure, but those kind of activities are restricted to boys. Her parents want to send her to a convent to learn magic, but instead, she switches places with her twin brother to begin training as a page. Pierces plot device works excellently. It creates a prevailing fear of discovery and naturally reduces the focus on romance. There's a sense of dedication and loyalty in Alanna despite her deception and a clear progress from a stumbling page.

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Ultimately, though, it's a reminder that it's okay to be different, and Alanna's own struggle to find a middle ground between her fake persona and the one society expects her to have. Alex Verus by Benedict Jacka A lot of the books on this list have a similarity. They may be in wildly different settings and various fantasy worlds, but most of them are some time in the past.

Jackas urban fantasy offers a great change from that through a modern London setting. We follow a humble shop owner called Alex who is mage not of battle magic but divining. He can see the threads of various paths of the future and their implications. This makes him valuable; to the dark wizards, and to the light ones. However, the strength of setting and magic isnt the major driving force in this novel.

That comes with the way Jacka writes Alex. He has weaknesses, yet hes able to overcome them. Hes trained in martial arts, but he wont fight in every situation needlessly. This creates a character who is smart and real, yet still has room for growth. Alex has to learn not to sit on the fence entirely, to do things for the greater good, and to find his place in the world of magicians.

Read if you like: Urban fantasy, Jim Butcher. This series is quite simply a work of art. Like all great authors, Weeks shows significant progression since his debut Way of Shadows series, and manages to balance world, plot, and character spectacularly.