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Free delivery worldwide. Bestselling Series. Harry Potter. Popular Features. New Releases. Description Ancient Greek poetry, even at its most sophisticated, presupposed a degree of familiarity with and assimilation of many more elementary types of song. The continuous if uneven interplay between high-flown literature, on the one hand, and sub-literary popular oral song types, on the other, cannot be underestimated in any account of ancient Greek poetry.

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In "Eroticism in Ancient and Medieval Greek Poetry", John Petropoulos discusses the features of ancient Greek poetry, particularly amatory poetry, that can be attributed to the influence of popular song and, conversely, looks at how 'higher' poetry affected 'lower' genres in antiquity and medieval times. He goes on to investigate the relation between certain types of modern Greek folk song and their medieval - even ancient - predecessors.

Concentrating on four cases that illuminate the evolution of the imagery, motifs and formal traits of love songs, this wide-ranging interdisciplinary study will be of interest to classicists and non-classicists alike, and particularly those concerned with popular eroticism and the colourful history of love songs in the Greek world. Symbolae Osloenses 7— Allan, Rudger. Orale elementen in de Homerische grammatica: intonatie-eenheid en enjambement. Lampas — Apostolopoulos, Photis. Bakker, Egbert. Homeric discourse and enjambment: A cognitive approach.

Transactions of the American Philological Association 1— Boundaries, topics and the structure of discourse. Studies in Language — Poetry in speech: Orality and Homeric discourse. Ithaca N. How oral is oral composition? Anne Mackay ed. The Oral tradition and its influence in the Greek and Roman world , 29— Leiden: Brill. Beaton, Roderick. Folk poetry of modern Greece. Cambridge: Cambridge University Press. The medieval Greek romance. Brazil, David. The communicative value of intonation in English. Brown, Gillian, and George Yule. Discourse analysis. Browning, Robert.

Medieval and Modern Greek. Chafe, Wallace. Cognitive constraints on information flow. In Russell Tomlin ed. Amsterdam: John Benjamins.

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Linking intonation units in spoken English. In John Haiman and Sandra A. Thompson eds. Prosodic and functional units of language. In Jane A. Lampert eds. Transcription and coding in discourse research , 33— Hillsdale N. Discourse, consciousness and time: The flow and displacement of conscious experience in speaking and writing. Chicago Ill. Language and the flow of thought. In Michael Tomasello ed.

The analysis of discourse flow. Hamilton eds. Oxford: Blackwell. Chila-Markopoulou, Despina.

Byzantine Poetry in the ‘Long’ Twelfth Century (1081–1204): Texts and Contexts

Journal of Greek Linguistics 5: — The conversational use of reactive tokens in English, Japanese, and Mandarin. Journal of Pragmatics 26 1 : — Croft, William. Intonation units and grammatical structure. Linguistics — Cupane, Caroline. Byzantinische Zeitschrift — Dawkins, Richard.

Transactions of the Philological Society 1— Dislocation and backgrounding. Linguistics in the Netherlands 24 1 : 35— Historia extraordinaria de Beltandro y Crisanza. Eideneier, Hans. Zur byzantinischen Dichtung in der Volkssprache. KAI als Auftakt zur rhythmischen Phrase. Zur verbalisierten Pausenmarkierung im Mittel- und Neugriechischen. Hamburg Fleischman, Suzanne. Discourse functions of tense-aspect oppositions in narrative: Toward a theory of grounding.

Fraenkel, Eduard. Kolon und Satz: Beobachtugen zur Gliederung des antiken Satzes 1. Nachrichten der Gottinger Gesellschaft der Wissenschaften, philologisch-historische Klasse , — Geluykens, Ronald. The pragmatics of discourse anaphora in English. Evidence from conversational repair.

Byzantine literature

Berlin: Mouton de Gruyter. Helasvuo, Marja-Liisa. Syntax in the making: The emergence of syntactic units in Finnish conversation. Hinterberger, Martin.

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In Nikolaos Panayotakis ed. How should we define vernacular literature? Horrocks, Geoffrey. Greek: A history of the language and its speakers. London: Longman. Iwasaki, Shoichi. The structure of the intonation unit in Japanese. In Soonja Choi ed. Stanford: Center for the Study of Language and Information. Jannaris, Antonius N.

Hildesheim: Olms. Janse, Mark. Homerische metriek.

Medieval poetry | Penny's poetry pages Wiki | FANDOM powered by Wikia

Didactica Classica Gandensia — Clitic doubling from Ancient to Asia Minor Greek. In Dalina Kallulli and Liliane Tasmowski eds. Philadelphia: John Benjamins. Jeffreys, Michael. Formulas in the Chronicle of the Morea. Dumbarton Oak Papers — Jeffreys, Elizabeth, and Michael Jeffreys.

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The traditional style of early demotic verse. Byzantine and Modern Greek Studies 5: — Proposals for the debate on the question of oral influence in Early Modern Greek poetry. Jeffreys, Elizabeth. Medieval Greek epic poetry. In Karl Reichl ed. Berlin and Boston: Walter De Gruyter. Byzantine romances: Eastern or western? In Marina Brownlee and Dimitri Gondicas eds.

In Bernard Comrie ed. Some poems and songs, like the Gambler's Mass officio lusorum from the Carmina Burana , were parodies of Christian hymns, while others were student melodies: folksongs, love songs and drinking ballads. The famous commercium song Gaudeamus igitur is one example.

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  • R. M. Dawkins & C. A. Trypanis, Medieval and Modern Greek Poetry: An Anthology - PhilPapers.
  • A Medieval Greek Arthurian Poem: The Old Knight!

There are also a few narrative poems of the period, such as the unfinished epic Ruodlieb , which tells the story of a knight 's adventures. One of the features of the renaissance which marked the end of the medieval period is the rise in the use of the vernacular or the language of the common people for literature. The compositions in these local languages were often about the legends and history of the areas in which they were written which gave the people some form of national identity. Epic poems , sagas , chansons de geste and acritic songs songs of heroic deeds were often about the great men, real or imagined, and their achievements like Arthur , Charlemagne and El Cid.

The earliest recorded European vernacular literature is that written in the Irish language. Given that Ireland had escaped absorption into the Roman empire , this had time to develop into a highly sophisticated literature with well-documented formal rules and highly organised Bardic schools. The result was a large body of prose and verse recording the ancient myths and sagas of the Gaelic-speaking people of the island, as well as poems on religious, political and geographical themes and a body of nature poetry.

The formality which Latin had gained through its long written history was often not present in the vernaculars which began producing poetry, and so new techniques and structures emerged, often derived from oral literature.