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The Marvelous Mrs. As comedy, and on the subject of comedy, The Marvelous Mrs. Maisel has the feeling of a star turn, at once vulnerable and self-aware. The fact that it was on a premium network was essential, allowing a much deeper and more realistic depiction of the horrors of incarceration in the United States. Jim Vorel. No show before or since has so eloquently portrayed the long-lasting and haunting effects the attack on the World Trade Center had on those who were the first responders.

The show had its faults—creating fully realized female characters was not its strong suit—but the raw emotion and huge laughs the show delivered on a weekly basis still linger. When the show tried to tell big stories to address big problems, it could occasionally drag. The historical bent of the show was actually a perfect match for this ordinariness, simply because political and social events are always happening in the background and making up the backdrop of our lives.

But the many crowd-pleasing moments throughout the show felt earned. It can be hard to recommend 24 , the style and spirit of which, with its split screens and ticking clocks, suggest nostalgia for a moment in which the ends were seen—on TV as in government—to justify the means. It was glorious. The one thing I really love about Girls is that it refuses to conform to identity politics. There are times when Dunham can be a wonderful spokesperson for female power, and there are times when she pisses off the feminists.

The stories of Hannah and Shoshana and Marnie and Jessa exist to reflect something real, and something instinctual, and it originates with a brilliant artist who, we can only hope, will stay unrepentant until the angry mob finally runs her off with their sharpened pitchforks. Shane Ryan. Jack McKinney. Downton Abbey is never short on drama and general strife.


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Temporary paralysis? Got it. Murder conviction? Oh, big-time. As the seasons progressed, many more tragedies would befall the Crawley family, making for some of most compelling television in recent memory. Bonnie Stiernberg. The original series was pioneering. Deep Space Nine and Voyager had their moments. Jean Luc Picard. The holodeck.

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The Borg. Starring Jemaine Clement and Bret McKenzie, the show is the story of an awful two-man band from New Zealand who have an incompetent manager the wonderful Rhys Darby as Murray Hewitt and literally one fan the hilarious, obsessive Kristen Schaal as they try to make it big in New York. Rhymoceros are two terrific examples of the latter. This is a show that you sink into, and that sweeps you along in its own relaxed rhythms, dispensing the sort of calm, surprising laughs that feels almost therapeutic. The special effects may have gotten marginally better, but the camp has stayed the same.

With Russell T. Davies at the helm and David Tennant playing the 10th doctor, the show was never better. This was especially true for writers, because we really love movies and shows about writers. Shannon M. At the end of its four-season run, Catastrophe is as sharp, as biting, as witty as ever. Few shows have the luxury of going out on such a creative high. TV and cinema have proffered plenty of variations on the theme of whip-smart women struggling with emotional crises while also making questionable romantic and sexual decisions.

Over these half-dozen half-hours, the titular Fleabag finds her steely exterior roughly chipped away as her relationships start to crumble around her, revealing just how lonely she really is. Fleabag strikes every note with poise and self-possession, never getting too maudlin or too clownish and trusting in an incredibly strong cast particularly Bill Paterson and Olivia Colman as her withering father and evil stepmother, and Sian Clifford as her tightly-wound sister to maintain that equilibrium. The steady hand at the wheel is Waller-Bridge herself, in a dazzling, nuanced dual performance as the writer and star of each episode, resulting in gaspingly hilarious, achingly human television.

Robert Ham. Most of us who watched could not relate to the very specific demographic of women who were showcased. And, for a series whose beating heart was NYC, the show did not do well in its presentation of gay characters or characters of color whenever they showed up. Hell, even the main character was problematic and difficult to root for at times, Carrie Bradshaw Sarah Jessica Parker , the not-so-eloquent writer who was better at choosing a pair of Manolo Blahniks than making decisions in her love life Team Aiden. And if Samantha was too much for you, Charlotte York Kristin Davis and Miranda Hobbes Cynthia Nixon offered up their own unique perspectives, giving the foursome an original, entertaining, and important balance of personalities and feminist or anti-feminist outlooks.

Whatever class issues, or race issues, or gender and sexuality issues Sex and the City might have swept under the rug or addressed in a problematic way , it still functioned as a loud, oft-obscene call for agency among the marginalized. Are network dramas supposed to be this good? Julianna Margulies stars as the title character Alicia Florrick. The scandal thrusts Alicia back into the workforce and she goes to work for her very sexy old law school friend Will Gardner Josh Charles.

The brilliance of the series is that it deftly blends multiple and equally engaging storylines.

IRISH AMAZON ECHO

Each episode is an exciting combination of political intrigue, inner-office jockeying, family strife, sizzling romance and intriguing legal cases. And witness the transformative performance Alan Cummings gives as the cunning Eli Gold. Many shows start to fade as they age, but The Good Wife , for the most part, finished strong. Veep satirizes the political world by distilling it down to what the public likes to watch most: the screw-ups.

From foot-in-mouth moments to mis-sent documents to squeaky shoes, everything Selina Meyer Julia Louis Dreyfus does is scrutinized, turned into an offense, and spit back at her through the distorted prism of Twitter and never-ending public opinion polling. Because the main thing Veep stays true to is shining a light on the people more desperate to be near power than to make any real social impact. Dreyfus may be the funniest person on TV right now. Erica Lies. Parks and Recreation. Parks and Recreation started its run as a fairly typical mirror of The Office , but in its third season, the student became the master.

The show flourished this year with some of the most unique and interesting characters in comedy today. With one of the greatest writing staffs of any show, Parks and Recreation is only got better with time. Ross Bonaime. Friday Night Lights.

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Heart-rending, infuriating, and rife with shattering setbacks and grand triumphs— Friday Night Lights is all of these, and in those ways it resembles the game around which the tiny town of Dillon, Texas, revolves. Full of heart but hardly saccharine, shot beautifully but hyper-realistically, and featuring a talented cast among which the teenagers and parents are—blessedly—clearly defined, the show manages to convince episode after episode that, yes, football somehow really is life.

Rachael Maddux. In the process, she endows each character and plot development with the proper dramatic weight, without ever sacrificing a sense of levity. Hear that?


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  • These risks came in the form of among other things sealing the protagonist in jail for a third of the run, killing off a major character, and ending the season with what I can only describe as the visual equivalent of a mic drop. Even in its weaker moments, the show always offered something memorable, whether it be an impressive visual, or an intense dialogue exchange. Unlike the Fox program, however, the stories of Roseanne and Dan Conner Roseanne Barr and John Goodman and their rambunctious kids were almost always rooted in heart.

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    In a landscape filled with pretty people and their petty problems, Roseanne chose to tackle the realities of a blue-collar family struggling to get by. Besides highlighting a side of America not seen since the heyday of Norman Lear, the show also used its primetime platform to discuss controversial issues of birth control, drug abuse and homosexuality. Now almost three decades after its premiere, with the world is economic and political upheaval, ABC is rebooting the show. Catch up before it returns but, pro tip, you can skip the final season.

    Seems like ABC smartly plans to act like it never happened. Mark Rozeman and Amy Amatangelo. NYPD Blue.

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    Detective Andy Sipowicz. The landmark series may be remembered for pushing the boundaries of network television hello, naked behinds! While watching, we felt immersed in the 15th Precinct. Gritty, heartbreaking, thought-provoking and, at times, hilarious, the series set the bar high for all cop dramas that would follow. I still get chills thinking about it. These are the real concerns that make Deadwood a masterpiece. David Milch created a sprawling, fastidiously detailed world in which to stage his gritty morality plays and with it has come as close as anyone to creating a novel on-screen.

    Six Feet Under is a television show that attempts to find reason and order in death, but then, in every episode, totally fails. And yet, somehow Six Feet Under is never morbid, instead concerned with celebrating the lives of its ensemble however they happen to play out, sensitive to the fact that though they run a funeral home, they have as little insight into the meaning of life as anyone else navigating modernity at the turn of the century. Dom Sinacola. In a scene where Rob comes to his old pal 15 years later, begging for her to let him confess, he hands her an article about the man they killed.

    Naturally, commenters started freaking out about the hidden message, accusing Brooker — who has previously held an AMA Ask Me Anything on Reddit with his co-showrunner Annabel Jones — of screwing with them. Spoiler alert: You may not want to read until you've watched the "Black Mirror" season 4 episode "Black Museum" -- and perhaps other episodes from this and past seasons.

    The Black Museum was a fun place to visit at the end of season 4 of "Black Mirror," perhaps because it was basically a house of references to previous episodes from the season. Evidence of a shared universe? Whatever the case it, let's take a look. This is one of the mechanical bees from the season 3 episode "Hated in the Nation" -- which murdered a whole lot of people. This distinctive uniform was worn by the hunters on the weird "justice"-focused reality show in the season 2 episode "White Bear.

    In the background here, you can see what looks an awful lot like the virtual-reality headset from the season 3 episode "Playtest," in which a man Wyatt Russell died while playing a game that was constructed to prey on his greatest fears. This notorious box we saw earlier in season 4 -- it was used by Robert Daly Jesse Plemons to upload people's DNA into his computer so he could create AIs based on them inside a video game.

    The lollipop was used to create a digital version of a character's Jimmi Simpson young son -- which Daly immediately tossed out an airlock in order to get the Simpson AI to behave.